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El país del Licancaur - ENGLISH !!!
EL PAÍS "El País In June of 1987 the original one in clean finished to double-spaced and a face, quick being fotocopy. The final result reached the 220 pages. In July of 1987 one appeared two literary aids. During the summer of 1987 it was taken to a pair of literary agents. In September of 1987 it caught the attention of one of the literary agents. Finally, the agency decided not to represent the work. Later they did not become to make more managements with the work. In August of 2006, after seeing 1ª "Lost" Season of the series (Lost), of the North American channel ABC, it is discovered that the script of the series has certain similarities with the work. The first delivery of the series is dated in 2004. In September of 2006 the work is digitized and it comes to the correction from small defects from style and other errors, without modifying no original aspect of in the free one from 1987 neither doing added nor modifications. In October of 2006 definitive form occurs to the work and it becomes to try his publication. COINCIDENCES EN SERIES LOST "El País del Licancaur" is a novel that has still not been published, although was presented/displayed to literary editorials, agents and aids. Until the summer of 1987 its publication was being tried and it consists to us that the work provoked a certain interest. The similarities between "El País del Licancaur" (1986) and the script of 1ª Season of "Lost" (2004) could be described, like minimum, of "mysterious". To ours to understand, a confluence of ideas with so many similar details as far as characteristics of the personages, elements of the plot and singularities of the story can cause stupor. Although at first the appearances of both stories are different, "El País del Licancaur" and "Lost" looks like in four essential points. - First, the adventures and misfortune of the survivors of an isolated flight accident in a remote place are narrated. - Second, the lives passed of the personages receive protagonism through flashbacks who have their incidence in the plot. - Third, in both narrations events take place spectacular, mysterious, atypical and rare. - Quarter, agrees in a Pleiad of "small details" that seems impossible can be happened to him to two people to the unisonous one or at different times. In all the others, the novel and the series do not look like in anything. The novel is a brilliant work of satirical humor with spectacular turns and a sense of brilliant jokes and the series is only a culebrón = (chained history that never finishes) history dramatic enough childish ("infantiloid" it would be the exact word) that can bore mortally to any minimumly demanding spectator. To speak of "plagiarism" without tests would be a recklessness. In Literature (ergo "cinematographic script") it is necessary that somebody copies of literal form a complete paragraph of a work so that it is accused of plagiarism. The ideas are free and each one can shape them as it comes to him in desire. But when so many details concur in two stories with the same base and the same narrative method the reasons for the suspicion happen of gaseous state to solid in a second. The facts are those that are. An all-powerful channel of American TV is being covered with ideas that are not absolutely original. And meanwhile, an anonymous writer who shaped the same ideas 20 years before sees as its work, to day of today, is without publishing. We detailed all the similarities so that you prune them to judge by you yourself: 01 - SYNOPSIS EL PAIS LOST: Flight accident in a remote place, where soon it begins to be evident that they will not be rescued. The situation begins to be desperate of immediate way. At the present time, the original stories known based on a flight accident with isolated survivors are the following ones: 1 - "The Lord of the flies", novel of Robert Goldwin (1954) 2 - "The flight of the 3 - "¡Viven!", (Alive!) story of Piers Paul Read, based on real facts (1973) 4 - "El País del Licancaur", novel of Pere G. Torres (1986) 5 - "Six days, seven nights", film directed by Ivan Reitman (1998) 6 - "Lost ones in the Amazon", series of TV of Peter Benchley (1999) 7 - "Cast Away", film directed by Robert Zemeckis (2000) 8 - "Lost" (1ª Lost Season), series of TV of JJ Abrams (2004) 9 - "Vuelo 1503", series of TV of the Channel Colombian Caracol (2004) "El País del Licancaur" (1986) and "Lost" (2004) only includes "strange phenomena" in the narration, to the margin of which they would be the own stereotypes of a story of adventures and survival. 02 - LITERARY SORT EL PAIS LOST: Drama, adventures, mystery. Peculiarly, which the novel has of sarcastic, the series has it of dramatic. 03 - SCENE EL PAIS LOST: A remote island of the Pacific. On the matter it is possible to say that to locate a story in a lost island of the Pacific it does not have anything of original. To the margin of the stories of shipwrecks of last centuries, modern Literature and the cinema have created stories of isolated people in islands of the Pacific in industrial amounts. As far as novel, could to say that it is inspired by the flight accident of 1972 in the 04 - NUMBER OF PROTAGONISTS EL PAIS LOST: In the series (Season 1ª) they survive 48, but the main protagonists, add, also, a total of 22. This subject has provoked controversial, but the count exhaustive and is well elaborated. Throughout the novel, until in the final chapter it appears a group of individuals with a concrete mission, the protagonists are 22. Protagonist means all that that in a while given they locate in first plane of the story, according the second meaning of the word admitted by RAE (Real Academy of Spanish language) It is obvious that some of the personages will have more protagonism than others, thing that happens in both stories. In 1ª Season of the series, until in the final chapter they appear men in a boat, the number of personages with protagonism is of 22. And if we told the dog, the number is of 23. Therefore, both stories have in common a similar number of personages who single are themselves altered in the final chapter with the appearance of new personages. 05 - NARRATIVE METHOD EL PAIS LOST: Exactly equal. The only difference is that flashbacks of the personages is appearing randomly, alternating itself based on the present facts. Previous histories have relation with the present facts to a large extent. In fact, the narrative method based on flashbacks where the previous life of the personages becomes wire of the present facts is traced. No other story of survivors of an isolated flight accident of the civilization includes east narrative method. Only "El País del Licancaur" (1986) and the "Lost" series (2004) 06 - AMNESIC PREGNANT GIRL EL PAIS DEL LICANCAUR: Shortly after crashing the airplane it is discovered that one of the survivors undergoes a great commotion. She is a young girl, of long hair blond, enough pija (pija = posse), that suffers amnesia. Later, due to his relations with one of the survivors, it remains pregnant. LOST: One of the survivors is a young girl, of long and blond hair. At the moment of the accident she is pregnant. After suffering mysterious a kidnapping, it suffers amnesia. Attention with the detail: neither the more nor less than five (5) exactly equal characteristics of a personage, in a story based on a flight accident in a remote place, with equal number of protagonists, where the narration with flasbacks is adorned. Peculiarly, in the novel the blond girl and pija (posse) pregnant one remains amnesic later first and. In the series it is the other way around. 07 - POSSE GIRL EL PAIS LOST: Another one of the protagonists is allowed, voluble a baby pija (posse), and capricious, also blond, whose greater feat in the life is to have coiled with whichever types are crossed in its way. It studied in his day French language. On the matter it is necessary to clarify that the characteristics of Shannon and Claire, personages of the series, are reunited in the novel in a single personage. 08 - DRUGS/DRUG CONTRABANDS EL PAIS LOST: One of the personages takes a stock market with heroin. In another one of the chapters they find a small plane where there is a drug contraband . This is a similarity that would be in the limit of the recurrence. That is to say, to two authors it is possible to be happened to them to locate a personage who takes drugs with himself in an airplane trip. However, it hits that in the series is later a contraband, thing that also happens in the novel. In the series, the contraband does not have entailment with the drugs that Charlie takes for own consumption and in the novel the contraband is the same one that transports the dealer. 09 - NARRATION OF THE MOMENT OF THE ACCIDENT EL PAIS LOST: The accident takes place just when one of the crew, visibly nervous, goes to the washbasin to administer a dose of drug. At the moment at which the airplane part in two, the passenger is being persecuted by a stewardess. In this aspect, it is possible to emphasize a few essential points. If we take the elements of the scene, are exactly identical. Just at the moment of the accident, there is a conflict between a passenger and the stewardess, with the cabin of the washbasin like recurrent element. In the novel, the stewardess exactly equal of is altered, shouting by the corridor, because a discussion between two passengers has arisen and because, a moment later, another one urges on to him with the door in the noses when washbasin leaves. In any case, if the novel were taken to the cinema we would contemplate to two very similar scenes as far as elements and momentum of combat operations. 10 - VISIONS, AUGURIES, PREMONITORY DREAMS EL PAIS DEL LICANCAUR: One of the personages of the novel has the faculty to glimpse the future and constantly suffers distressing visions that go ahead to the present facts. LOST: All the story is plagued of revelations, visions and predictions on the part of many of the protagonists. This it is an aspect which we will analyze shortly of exhaustive form, reviewing the first season of Lost. 11 - PHANTOM APPEARANCES EL PAIS DEL LICANCAUR: To one of the personages it appears to him a phantasmagoric subject once in a while that always him send the same message. LOST: One of the personages is assaulted during a chapter by the constant presence of the ghost of its father, recently passed away, who has a message that to transmit to him. Incredible! As much in the novel as in the series, cradles both in a flight accident where the survivors are isolated, take place appearances of phantoms that have a message that to transmit. There is no other story of the same characteristics where that happens. 12 - GAMES OF CHANCE GAINED MYSTERIOUSLY. EL PAIS LOST: One of the personages has gained a multimillionaire number in the primitive lottery (=combination of 6 numbers in a block of 49) The fact is not free of mystery since it has done it by means of a combination of numbers that obsessively repeats the internal one of a psychiatric institution. It is of most normal that two narrators, with 18 years of difference, shape in their stories a coincidence like this, what doubts fits. Neither the more nor less than a personage than it gains prizes of chance by arte de birlibirloque (=when a thing happens through inexplicable mysteries) That is without a doubt one devises more "recurrent" that can be happened to him to anyone, and when a story of 22 survivors of a flight accident is writing that has been adorned with flashbacks, where are an blonde-pija-pregnant-amnesic girl that studies languages, drug contrabands and "mysterious phantom appearances". It is necessary to see that so peculiar chances, right? Then you hope that now "still more happy chances" come. 13 - GAFE (Person who brings and causes bad luck) EL PAIS LOST: One of the personages is created gafado because of a prize of the lottery that won mysteriously. In certain form person in charge of the accident feels and gets to declare that since won all that money has become gafe. EL PAIS LOST: The reviewable characteristic of gafe of "Lost" is its exaggerated obesity. Another which had at random chance without a doubt. It is of most habitual than two narrators of different times agree in introducing gafe in a story on isolated survivors of a flight accident in a remote place. If to it we added flashbacks to him and the boy-young person-blonde-pregnant-amnesic one that studies languages, the found drug contrabands in the place of the facts, the phantom appearances, an a person that gain prizes of chance by mysterious methods and a scene of accident with traced elements, all it is by chance, ladies and gentlemen. On the matter it is necessary to emphasize two details, not to weaken the facts. In the novel, of coherent form, gafe has a fundamental paper in the plot, because he is the direct person in charge of the accident. In addition, he is not he who gains a prize of the lottery, but another personage. It is a total absurd to think that gafe can be seen attractive with a pile of money, although later is cause of the greater misfortunes. In the series, totally inconsequent form, gafe only leaves in one flashbacks. The history of his "gafery", after gaining a prize of the primitive lottery by mysterious methods, remains there: one more an anecdote with the one than to extend the duration of the series with incongruity of extreme degree that later do not have any importance. In any case, two new elements that unite novel (1986) and series (2004): the existence of gafe and prizes of chance that gain by the face. They are without a doubt things that happen every week, specially between the groups of survivors of isolated flight accidents in remote places. It is what has the "chance". Like curiosity, to emphasize a new inverted scheme between novel and series, since the physical features of both gafes are opposed than it is possible to be imagined. 14 - PERSONAL REVENGES EL PAIS LOST: One of the personages is a type related to the world of the delinquency. It returns from Attention to the similarity between these two elements. In the novel there is a personage who assassinated his father, received an indemnification and later it was swindled by an Argentinean, which motivates its trip to In the personage of the series, the elements "swindle", "it travels" and "revenge" is reunited with all precision. In case outside little, both personages, who travel in the occasion of a personal revenge, are orphaned of father, and the death of the same one has relation with the reason for its trip. In order to finish off the facts, since the novel is a comedy and the series a drama, the personage of "the Country..." goes towards his destiny to complete his revenge whereas the one of "Lost" returns after it to have completed. Another script with inverted elements that does not come if not to spill more controversy to this long series of "coincidences". 15 - FAILED MUSICIAN (Person who fails in her musical race) EL PAIS LOST: One of the personages is the guitarist of a group of rock of certain success. Its race is in critical moment to finish by problems with drugs and the refusal of its brother to continue with the group. It is thinking about recording a disc in solitaire, but its race is not clear. EL PAIS DEL LICANCAUR: Seeing clear that its failure in the world of music will take place of imminent form, the singer of the novel thinks to mount a store of eatable or a telephone tarot where she will operate his divinatory virtues. LOST: Completed its failure like rock guitarist, Charlie tries to leave ahead like salesman of printers. As it is possible to be seen, two personages who, in spite of being different, maintain several points of connection. Both have as common profession music and both see as its race is on the verge of concluding. Assumed their failure, both look for an exit in other professional fields. In a new invested scheme, the personage of the novel-comedy is a woman and the one of the series-drama is a man, dedicated both to radically different musical styles. If we added this new "coincidence" to story with same base + same narrative method + equal number of personages + pregnant and amnesic girl pija blond + drug contrabands + games of chance gained + mysteriously gafe + types that travel by personal revenges motivated by a swindle + phantom visions and appearances = chance? 16 - CENSUS/IDENTIFICATION CARD EL PAIS LOST: Before the possibility that there was somebody, mysteriously it did not travel in the airplane, one of the personages writes up a census from the listing of passengers of the airplane. In both stories dice appears in a while the necessity to have identified and registered the survivors. In the novel it is for acceding to the status of citizen of a new nation and in the series because they suspect that there is an intruder between the group of survivors. In any case, two near elements that we must add to the others. There is no other story with the same base that includes the identification of the survivors by means of a census. 17 - FUGITIVE OF JUSTICE EL PAIS LOST: One of the main protagonists of "Lost" is a fugitive of the justice that travels lengthy in the airplane, in company of a judicial agent. EL PAIS LOST: One of the personages suspects that the fugitive of the justice, that traveled in company of a judicial agent, is between the survivors. Towards the end of the Part 1ª is able to unmask its attempts of falsear its identity and fleeing in the raft. Although in this point there are certain distances between the novel personages and series and on the circumstances that determine to them, the small details returns to interconnect stories both. In a new invested scheme, in the novel the fugitive is stopped in the end, while in the series the fugitive travels lengthy. Both try to flee and are unmasked. In the novel the personage is masculine and in the feminine series. 18 - BOYCOTT TO RESCUE WORKS EL PAIS DEL LICANCAUR: All the actions whose purpose is to accelerate a possible rescue hit the opposition of one of the passengers, fugitive of the justice, that does not have interest some of which they find him. When it is tried to signal to an airplane that happens, it threatens to the others pistol end. When several survivors organize an expedition to lower of the mountain, she plans a plot to prevent it. LOST: Diverse initiatives to try to leave the island run into mysteriously with the opposition of somebody interested in that those initiatives prosper. When he tries himself to organize a system of transmissions to detect a SOS signal, the Arab personage receives a blow in the head. When they construct to a raft with which to try to escape of the island, somebody pledges fire to him. It is of most normal that, when you crash with an airplane in a remote place, somebody sabotages all whichever beams to try to leave the isolation. "El País del Licancaur" (1986) and "Lost" (2004) is the only stories where that happens. In the novel it is by coherent reasons whereas in culebrón it is due to the fear of a boy to remain without a father who is going to see his match of beisbol Saturday by the morning (sic) 19 - GUNS & EXPLOSIVES EL PAIS LOST: The fight to have a weapon is an urgent necessity from the beginning of the story. The revolver that takes with himself the judicial agent turns an object very coveted. Before the necessity to open the hatchway of a mysterious one to bunker buried in the forest, they find dynamite in the rest of a galleon in the middle of the forest. EL PAIS LOST: In principle, the only firearm is to revolver (pistol) that it took with himself the judicial agent. With the course of the time 9mm with its respective ammunition appears a briefcase with pistols. It will not be the only armament that will find: later also they will find dynamite. Another "mysterious" coincidence between both stories. Peculiarly, as much in novel as in series the tensions that take place between the personages they must to the control of basic resources (water and food), but by another type of questions. In both stories there is one first weapon that becomes wished object and in both they appear other arms later. Nor that to say it has the armament of the novel is very many the more original. 20 - AMPUTATIONS OF MEMBERS EL PAIS LOST: Due to an accident, to one of the personages they must to him amputate a leg. It does not have anything of individual that in a story of survival after a flight accident to a personage they have to him to amputate some member of its body. This it would be the example of a "recurrent element" of any story of these characteristics. However, it is possible to emphasize that no of the two amputations is direct consequence of the accident. In the novel it is because one lady has spent the night to the flat one to 30º below cero and in the series by an incident very subsequent to the moment for crashing the airplane. 21 - PERSONAL DIARY?? DAYBOOK?? (when a person writes intimate notes in a notebook) EL PAIS LOST: The embarrass-amnesic girl has a personal newspaper that reads, with certain remorses, the ruined musician. Another element that, without a doubt, appears in all the stories on flight accidents. In addition, in both stories, the "diary" is read by an other people's person. In two inverted schemes more, that the newspaper writes in the novel is a man and in the series a woman. In the novel the newspaper is read of immoral form and shameless and in the series that does it feels remorses. More chances? At the moment already 21 goes, of that only 5 can be given like recurrent elements of a story of these features. 22 - JOKES WITH HUMAN REST EL PAIS DEL LICANCAUR: In a while of the narration reference to the clipped ears of the victims is made, who appear on the snow aligned in rows of a three. LOST: One of the graceful moments of the series comes when the obese personage, who feels a tremendous aversion by the blood, denotes that another one of the personages has a piece of human meat upon the shoulder. "You have a piece of X", says with a tremor. An element can be considered recurrent that, in the middle of the greater one of the misfortunes, somebody makes use of the sense of humor. Segun says to me, black humor is a very old British tradition. 23 - TO KILL THE FATHER EL PAIS LOST: One of the personages lives an inner torment since it was forced, by honor, to end the professional race of its father, to whom considered an incompetent one. This incapacitation leads the father, without remedy, to a dissipated life that finishes in suicide. In certain form person in charge of the death of his father feels, although car-she is exculpated of all it, because she considers that it was his obligation to denounce the facts. This is reference distant, but element fits to do it to consist to enter new repeated, that is not other that both stories is a personage who is responsible, by active or passive, of the death of its father. 24 - ACTION TO POISON EL PAIS LOST: In one of the episodes of the series they try to poison to one of the personages in the middle of a dispute on that must go in the raft. It is not that it has a very direct relation, because both actions to poison take place in very different circumstances and planes diametrically opposed. But, in any case, a new coincident element. 25 - RAMBO EL PAIS LOST: One of the personages of the series has a certain similarity with 'Rambo'. In at least one occasion it is described like 'Rambo' by some as the survivors with a clearly offensive intention. EL PAIS LOST: The 'Rambo' of the series feeds surviving thanks to its ability to hunt wild boars by means of traps in the forest. According to certain experts inform into culebrón dramatic this similarity would not exist, since in the original version in English, the Rambo of "Lost" is one parody of a personage of "Apocalypse Now" and not of the own Rambo, and therefore all our theories on Rambo would not be another thing that a distortion of the version in Spanish language. (It will be necessary to see it, clear...) However, the similarities between the personage of the novel and the one of the series exist, being a "todoterreno" (person or thing who adapts to any circumstance), customary to the survival in inhospitable places and expert in hunting wild boars by means of traps. 26 - DOCTOR EL PAIS LOST: Between the survivors there is a doctor who dedicates itself to the medicine. EL PAIS LOST: The doctor of the series is surgeon. In both stories there are personages who have the title of medicine doctor and they dedicate themselves to the surgery. He is not that it is a particularly hiriente coincidence, but in any case is necessary to point out it to add it to the rest. 27 - SYSTEMS OF COMMUNICATION OF THE SHIP EL PAIS LOST: In the series it is tried to send a signal of SOS through the systems of communication of the cabin. Although the systems seem to signal certain, the attempt finishes being useless. An example of which it would be a recurrent element of any story of these characteristics. He is something that would be happened to him easily to whatever a similar history wrote. In "They live", that it is a narration based on real facts, the protagonists are themselves forced to go to look for a battery, that she is elsewhere of the mountain, essential to put into operation the systems of communication of the ship. If it cannot put itself in contact with the rescue teams, that they have given them by "lost". 28 - FLARE SOS EL PAIS DEL LICANCAUR: At the beginning of the story a flare SOS is sent found between the rest of the warehouse. LOST: In different episodes from the series flares SOS are sent found between the rest of the apparatus. Another recurrent element of any story of these characteristics. In "Six days seven nights", for example, there is a graceful incident with a flare SOS. It is not an excellent detail, but one more a demonstration of as the "recurrent ideas" they are possible to be happened to him to anyone whereas other ideas (because somebody gains a prize of the lottery by "mysterious" methods, for example) are inconceivable. 29 - COMPASS EL PAIS DEL LICANCAUR: In one of the chapters of the novel there is a peculiar incident with a compass that does not work, since instead of indicating the north, it indicates SSO. LOST: In the series it is verified that, due to strange electromagnetic interferences, the only compass that have been able to find it does not serve for anything. One ignores if between the equipment of an airplane compasses can be found, aside from which they comprise of the control panel of the ship. In any case, it is possible to also state this coincidence, since in both stories is a compass that, by different reasons, is useless. 30 - BONFIRES EL PAIS DEL LICANCAUR: With so preventing that they find them, the protagonist of the novel prevents at all costs that bonfires ignite. LOST: All the nights ignite bonfires to facilitate that they can see them from the air. To ignite a bonfire is one of the first elements that are happened to him to whatever a story of a flight accident with isolated survivors writes. In "The Lord of the flies" (1954), that is one of the first precedents, the bonfire that do the children at the top of a risk is on the verge of causing a forest fire. This example was considered as "ridiculous" on the part of any fan of culebrón, but is put here to put record of a new inverted scheme: in the series bonfires and. In "El País del Licancaur" ignite, no. 31 - PROVISIONS EL PAIS LOST: The provisions that have been able to find between the rest of the airplane finish hardly in two days. It is another recurrent element of a story of these carcaterísticas, but, attention, the count and the perception of the eatable ones with which it is arranged are identical as much in the novel as in culebrón. 32 - LUGGAGE EL PAIS LOST: During the first hours they review to whichever objects has in the luggage of the passengers. Another common element of all story of survival of these characteristics. Only a small detail: to the delay to do an analysis detailed of the scenes in which the survivors of "Lost" inspect of the suitcases of the passage, we would be speaking of two scenes in exactly equal novel and series. 33 - FACTIONS EL PAIS DEL LICANCAUR: Once it is become evident that their littler possibilities of being rescued are every day, take place divisions between the survivors. They appear diverse factions among them. They are favourable to try a dangerous reduction towards valleys. Others wish to assassinate the protagonist. The conformist faction, however, pleads to found one nation on the place of the accident ... factions: 2, of second leave one third... LOST: In agreement it is become evident that will not be rescued they are taken place divisions between the survivors. Before the difficulty that represents the water provision some are in favour to be transferred to caves near a fresh water spring. Others, however, remain in the beach because they understand that thus its visualization will be easier and rescues. Between these last ones another faction arises who pleads to risk to construct a raft with which to leave the island ... factions: 2, of second leave one third... Another traced coincident scheme even in dynamics and the intentions. 34 - ROBBED CLOCK EL PAIS LOST: There is a dispute between two personages because one of them thinks that the other has robbed him the clock. The supposed author of the robbery is a black. One more a small coincidence, without too much importance, but indicative of which the flow of small similar details does not stop. 35 - SYNCHRONOUS CLOCKS EL PAIS LOST: In order to be able to carry out a plan to unfold diverse antennas with which to detect a signal of SOS, several personages they synchronize his clocks. Another repeated scene, although in novel and series the reasons by which must synchronize their clocks is different. ************************************************************************ At the moment we have not seen still any chapter of the second season of "Lost", in spite of having all the chapters in DVD. It is a very boring series, of schedule of Maxima hearing, that does not resist the test of any demanding spectator who looks for televising programs of quality. But they inform to us that in one of the chapters they appear by spell art commercial products (essentially foods) labeled under a mysterious called mark "Dharma". If this is therefore we would be before a new coincidence or, rather, a super-mega-archi-coincidence. We are going to add it so that it is not said: 36 - MYSTERIOUS COMMERCIAL MARKS IN THE PLACE OF THE FACTS EL PAIS DEL LICANCAUR: In order to choke a hunger strike that threatens the political stability of the new country, the leader of same ingenia to be made appear by art of spell thousands of articles of different types (specially foods) from a mysterious trade name. LOST: According to the information that arrive to us from episodes of other seasons of Lost, in the series also they appear by magic art consumption articles (specially foods) of a mysterious called mark "Dharma". What doubt fits that this is another idea the sea of original! (Also we have seen that the title of one of the chapters makes reference to "psalms", with which, happily, we would be with another "mysterious" element that will come to fatten this long list of coincidences. If, because one of the features of one of the personages of "El País del Licancur" is that it goes the day singing "psalms") TO BE CONTINUED.... ANOTHER FLIGHT ACCIDENTS Next we presented/displayed a detailed relation of all the stories (novels, films and series) that we have been able to find, based on the premise of a group of survivors of a flight accident in a remote place without rescue possibilities. The stories are ordered chronological to give a diaphanous dimension of the historical evolution of this sort of adventures. With this one relation we are going to demonstrate that "El País del Licancaur", novel written in 1986 and "Lost" series of 2004, is both only stories of these characteristics that, to the margin of the typical elements of a situation of extreme survival in a remote place, include "mysterious" facts and "strangers" or "rare". There am the relation here: THE LORD OF THE FLIES (Novel) Author: Robert Goldwin (1954) In the heat of World War II, a group of children crashes with an airplane in an island of the Pacific. Very soon they begin to accept that they are not going to be rescued. It is a classic story of adventures where different problems from survival are narrated which they are arising with time. The group of children finishes divided in two factions who struggle of extreme form by the power. One of them becomes a group of primitive hunters with a degree of savagery very accentuated. The only "reviewable mystery" in this story is in the imagination of the group of hunters, who think that in a cave he inhabits a monster that never gets to leave her. THE LORD OF THE FLIES (film) Director: Peter Brook (1963) Cinematographic adaptation of the novel of Robert Goldwin. Reflected of trustworthy form the original narration. THE FLIGHT OF Author: Elleston Trevor (1964) An airplane crashes in the heat of desert of the THE FLIGHT OF Director: Robert Aldrich (1965) Cinematographic adaptation, a year later, of the novel of Elleston Trevor. It is an overproduction of 20th Century Fox with a distribution of luxury in which it is possible to honor to the actors James Stewart, Richard Attenborough and Ernest Borgnine, among others. The script of the film exactly is traced to the one of the novel and locates the action in a remote place of the desert of the ¡VIVEN! LA TRAGEDIA DE LOS ANDES (novel) Author: Piers Paul Read (1973) Cradle in real facts. An Uruguayan airplane that traveled to Santiago of Chile starred in the WITHOUT TITLE (Script series TV) Author: Anthony Spinner (1977) Anthony Spinner is a television scriptwriter that the 19 of August of 2005 denounced to the ABC chain by presumed plagiarism and contract breach. Apparently a script for a series of TV wrote on a flight accident in a desert island of the Pacific, where a series of survivors must face all luck of dangers in the jungle. For want of more data, we included in this relation so that it is left that the "brilliant scriptwriters of Lost clear, able to create thousand histories" neither are so brilliant nor so original. EL PAIS DEL LICANCAUR (Novela) Author: Pere G. Torres (1986) Sarcastic Literature. It narrates the eventful journeys of a many-colored group of personages who survive a flight accident in a top of the THE LORD OF THE FLIES (Film) Director: Harry Hook (1990) New cinematographic adaptation of the novel of Robert Goldwin. One does not leave the original script. ALIVE! (Film) Director: Frank Marshall (1993) Brilliant adaptation of the facts occurred in the accident of the SIX DAYS, SEVEN NIGHTS (Film) Director: Ivan Reitman (1998) Semi-romantic comedy where a robust pilot, carried out by Harrison Ford, and a young enough blonde pija dedicated to the world of the fashion (Anne Heche) has an accident of small plane in a desert island of the Pacific. Thinking that they have crashed on the sea, the services of rescue give by finalized the search few days later. Both surviving they remain in the island without possibilities of being rescued. After a few scenes of tangle where both personages happen of the initial antipathy to the love in pure state, they are able to dismount of the glass of a tree an old Japanese hydroplane of II the World war, of which they take advantage of his floaters to add them to the rough small plane. They are able to escape of the miracle island, since they have run into with a species of modern pirates who travel in a yacht equipped with a tube to send mortar projectiles. The script of this film has certain similarities with "The flight of the LOST IN THE AMAZON (Series TV) Director: Peter Benchley (1999) He in the heat of deals with a plane crash Amazon which six people survive. They are given by dead after a few weeks search. Between the survivors there is a doctor, a singer of opera, a pija-diva and an obese personage. The survivors face cannibal tribes who harass them, and strange beasts like carnivorous ants and pirañas (= very voracious carnivorous fish) that eats to a man in a matter of seconds. During the chapters any exceptional fact, unless does not happen, between the many dangers which it must face the group of survivors it finds a species of "sect" of people of white race that is isolated of the civilization. Not, it sounds "to the Others". The "Others" of "Lost", clear. CAST AWAY (Film) Director: Robert Zemeckis (2000) A systems engineer must undertake trips, often without previous warning, to distant places. Its frenetic existence stops abruptly when the airplane in which it traveled and it becomes I am shipwrecked in a remote island, isolated crashes more of the world in the surroundings desolated than it is possible to imagine. Undressed of the comforts of the daily life, it must take care of in the first place his basic necessities of survival: its priority is to look for water, food and a ceiling. This personage, whose profession consists of solving problems, has to learn to solve one high-priority one: its physical survival. During the narration any fact "mysterious" nor other people's to which does not happen is possible to imagine in a story of adventures and survival. THE FLIGHT OF THE Director: John Moore (2004) A new adaptation of the novel of Elleston Trevor. This time, the facts are developed, not in the LOST "LOST" (Series TV) Director: JJ Abrams (2004) Insuffrable culebrón where a group of survivors of a flight accident must face all type of adversities after a flight accident in a desert island of the Pacific. In spite of "so original" starting very soon they are whereupon, aside from the own problems of survival of the situation, they must face all type of mysteries, removed from the hat of the turn scriptwriter, often without no concert nor coherence. An example: in order to attract a farm dog towards the group of surviving humans it is necessary to make a whistle ultrasounds. An absurd one more between an innumerable set of incoherences. The lives passed of the survivors, shaped by means of flashbacks sometimes "no consecuence" and in absolutely tedious others, try to give an explanation to the present facts. Any person with a moderately critical criterion will be able to realize of which they are not more than a superfluous adornment with which to extend culebrón several "seasons" and to more give to thus eat a hypnotized and little demanding public. It is obvious that with 25 chapters she was enough to explain history. Lost, in this sense, not difference in anything of historical others culebrones like Falcon Crest, where the script does not have a continuity in the time and it is based so single on "tensions" of precise type that ten minutes later already have been forgotten. If this relation of stories based on flight accidents has been where the survivors are not rescued, everybody will be able to perfectly realize a few clear fact. First, which to locate a flight accident in a desert island of the Pacific she is as old as, for example, "Robinson Crusoe". The second, that no other story of the same characteristics (with the exception of "El País del Licancaur" written in 1986) adds extraordinary and "mysterious" elements to the narration, to the margin of which they would be the own eventful journeys of the survival in a remote place. Third, that to threaten the security of the survivors the existence of a strange group of "others" is not an original idea either. The quarter, that no story of these characteristics adds flashbacks of the lives of the personages, with the exception of "El País del Licancaur", novel written in 1986. VUELO 1503 (Series TV) Production: Channel Caracol (2004) Colombian Culebrón arisen to the heat from "Lost", that incredibly has been accused to be a plagiarism of the North American series (laughing). An airplane crashes in the forest without immediate possibilities of rescue. In him three delinquents travel whom they kidnap to the survivors. Between these there is an actress, a narcotics trafficker and a student of drugs, arms and robbed money. En the development appear. They do not appear "mysterious" elements. SURVIVOR (Reality-Show) Author: His father will know it (2004) The reality-show that treats on people catched in an island, adapted in Spanish like "Supervivientes". Many have described to "Lost" of a serial version, which already is for laughing more & more. GRATEFULNESS: To Aelín. Without her collaboration this relation would have been impossible. PERE G. TORRES - Literary Work La Náusea Verde I - "The Green Nausea" Year: 1976. Surrealistic poems of free style. The unreal side of the reality seen through the eyes of a boy of 17 years. It includes a called story "The assassin of the yellow screwdriver" and the science-fiction story "Wahana". La Náusea Verde II Year: 1978 Surrealistic poems, written humoristic and a story on sexual fantasies. It includes an extensive story that describes a world knocked down after an ecological catastrophe, titleholder "feels nauseous It green". El Valle de los Cojos - "The valley of the Cripples" Year: 1980 Novel. Notes taken in two trips to La sonrisa de Berenice - "The Berenice smile" Year: 1984 Science-fiction novel. Year 2135. An expedition of the Solar System is on the verge of starting off from Ceres for Fomalhaut. The discovery of a strange phenomenon that seems to weaken the space has issued the alert. The authorities mobilize material and human resources never before known to go to the encounter of which they suppose a threat for the humanity. The exit of the ship of the Solar System agrees with a maneuvers of coup d'etat that will end at a civil war. All the solar colonies of the perimeter will be involved. While, the crew of the ship will travel towards the phenomenon virtually kidnapped by the system side. The novel contains an informed encyclopedic compendium with maps, planes and all type of tracks so that the reader knows itself to locate perfectly in this futurist odyssey. Visiones desde un urinario - "Visions from a toilet" Year: 1985 Collection of brief narrations. Thematic varied. Daily, political, erotic science-fiction stories… etc. El viento y un gato - "The wind and a cat" Year: 1985 Novel. Remake of "El Valle de los Cojos". Encounter of two young people after many years of separation. The boy, professional photographer, travel to Paris to go in search of loved his, in the middle of a story that will make him back down in its memory until its childhood in the years 60´s. Los Quincalleros del Cosmos - "The hardware merchants of the Cosmos" Year: 1985 Novel. Science-fiction. Felix Rozey, a young person who works as detective assistant is following a simple case of conjugal infidelity. Almost without wanting it, he will begin to desmadejar the secret better kept from the planet Earth. El viaje Year: 1986 Black novel. Eduardo Narbona, representative of agricultural machinery, fights single he against a network of traffic of a new design drug. El País del Licancaur - "The Country of the Licancaur" Year: 1986-1987 Satirical novel. Surrealistic odyssey where a series of different personages suffers a flight accident in a top of the Las aventuras de John Usseles - "Adventures of John Usseles" Year: 1987 Science-fiction. Humor. Due to an ambiguity when interpreting signal emitted in 1974 from the observatory of Trio (1988) Long story on the relations of three personages - two men and one woman -, of existencialist inspiration. The protagonist is Bernardo, the photographer, the same one who in "El valle de los Cojos" and/or "El viento y un gato". The years have happened and it is on the verge of fulfilling the 30. She analyzes his life through his social relations, where their fiancèe and her better friend have special protagonism. La nausea Verde - "The Green Nausea" Year: 1993 Prosa. Remake of first writings, with many improved aspects. Teoría Inarmónica de la Creación - "Inarmonic Theory of the Creation" Year: 1994 Long story. Humor, blasphemy, graphical Literature. Story that narrates in humor key the Big Bang and the divine intervention in the creation of the man. In spite of being a sarcastic narration, it raises a delicate question, to horse between science, the philosophy and the theology, that takes to the reflection. The story introduces elements where Literature becomes a visual element. Cinco menos cuarto en la Vía Láctea - "Five less quarter in the Milky Way" Year: 1996 Satirical novel. The adventures of an accountant are narrated who works in a milky product factory. At the same time, a novel acclimated in the days of the Crossed I writes. Peculiarly, the facts of their novel have a certain parallelism with those of their daily life, to the point that, towards the end of the story, both gets to overlap itself. A laughing story, sprinkled of all type of humorous situations. Relatos II - Stories II Year: 1998 Stories. Eróticos, science-fiction, humoristic, daily, critical policy, etc. Diez años de Year: 1998 Short novel. Isidro, an unmarried lawyer and somewhat dandy knows a French woman who causes a great impression to him. During ten years it will vivrá with the obsession to do it hers. Tratado básico de Realismo Sarcástico - Basic Treaty of Sarcastic Realism Year: 2000 Satirical novel. Written following the technique of the inner speech, it narrates twenty-four hours in the life of Josep I followed, a young person of 34 years who feels a great dissatisfaction by the life. Throughout his periplo by all the city, I followed will be shelling all its rage and frustration, arriving to think that the life is not but great cosmic ridicule. The novel is raised to half of way between the tribute and parodia of "Ulyses", of James Joyce. El secreto presuntamente podría estar en la salsa "The secret presumably could be in the sauce" (*) Sarcastic futurist odyssey. It runs century XXIII and there is a great nourishing scarcity. The planet Earth has been invaded by a degenerated extraterrestrial race whose maximum eagerness seems to be to extend its economic model and its chains of fast food. The resistance, for the sake of the traditional kitchen, will be organized quickly. (* in project) NOTE: All the material is without publishing although he is perfectly commercializeable. One has not practically appeared any aid nor have been made almost managements for his publication. In order to contact you can puncture here: http://licancaur.blogdiario.net/contactar/
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